Studio Electronics Reflexion Filter
Price listed is DAILY RENTAL RATE
Daily Rate = 24 Hour Period
Multiple Day and Long Term Rental discounts available upon request.
Delivery or Pick Up Options?
BROOKLYN PICK UP
- $50 Warehouse Prep Fee
There is a warehouse prep fee on all orders being picked up by clients from our warehouse, in addition to the cost of the equipment. This is a PER ORDER charge and NOT A PER ITEM charge.
- MON - FRI 10am - 5pm ONLY
- WE ARE CLOSED ON WEEKENDS - NO EXCEPTION
- You can pick up from our warehouse @ 276 Meserole Street in Brooklyn.
- We are open MON - FRI from 10am - 5pm for ALL Warehouse Pick Ups & Returns.
DELIVERY - NYC Metro
We offer delivery options within the New York City Area. Fee is based on equipment and distance, starting at $850 minimum.
When you go through our checkout system, you will have the option to select delivery or warehouse pick up.
Insurance & Deposit Requirements
Insurance is required for all rental items where CLIENT is operating equipment on their own. This security is NOT required where CROSSFIRE will set up & operate the equipment.
If you are not sure about insurance requirements for your order / event, please contact us at your earliest convenience for details @ 1.800.884.0653
The original, patented, portable acoustic treatment device: the Reflexion Filter.
Beautiful concert halls, gigantic high-ceilinged spaces, lofty stairwells with glorious natural reverb...capturing the sound of an acoustically-pleasing room can make a great recording truly special. But getting a good sound in a bad space is very, very difficult. What if you're an artist recording at home? What if you don't have the budget for a properly treated studio? What if you move to a new house or apartment? What if you don't want to hear your room?
Since its inception in 2006, over 120,000 units have made their way into studios and homes worldwide - and it remains the indisputable industry standard for portable, effective acoustic treatment.
sE's Patented Multi-layer Technology
When you put a microphone in front of you, it doesn't just hear you - it hears the room around you.
Even if it's a cardioid mic and is listening mostly to just you, it's still picking up reflections from your voice or instrument that are bouncing off the walls and coming back to the mic. The goal of acoustic treatment is to minimize the pickup of such reflections so your primary sound source comes through as pure as possible.
So why not just put some cardboard or foam behind the mic? Some materials are good at absorbing or reflecting particular frequencies - for example, foam absorbs highs really well, but does nothing for lows. Unlike cheap foam RF imitations, sE's patented multi-layer technology works evenly across the whole frequency spectrum to ensure a balanced, even sound with no coloration at all.